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	<title>SoundCult Music Review and Mp3 Podcast &#187; meth</title>
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		<title>Abelcain &#8211; The Garden</title>
		<link>http://www.soundcult.com/electronic/abelcain-the-garden/</link>
		<comments>http://www.soundcult.com/electronic/abelcain-the-garden/#comments</comments>
		<pubDate>Sat, 26 Aug 2006 20:48:19 +0000</pubDate>
		<dc:creator>meth</dc:creator>
				<category><![CDATA[Electronic]]></category>
		<category><![CDATA[Breakcore]]></category>
		<category><![CDATA[Industrial]]></category>
		<category><![CDATA[Metal]]></category>
		<category><![CDATA[Technical]]></category>

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		<description><![CDATA[Abelcain&#8216;s The Garden EP is a nice piece of industrial/metal inspired breakcore which has a certain goth/horror movie feel that sets it apart from other works in the genre. As such, it has a permanent mist of darkness which helps to contextualize the *cough* poetic vocal snippets that Abelcain sprinkles over his characteristic sound. I [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.soundcult.com/wp-content/uploads/abelcain_thegarden.jpg" id="image168" alt="Abelcain - The Garden" /><a href="http://abelcain.lowres.com/" target="blank">Abelcain</a>&#8216;s <em>The Garden</em> EP is a nice piece of industrial/metal inspired <a href="http://en.wikipedia.org/wiki/Breakcore" target="blank">breakcore</a> which has a certain goth/horror movie feel that sets it apart from other works in the genre. As such, it has a permanent mist of darkness which helps to contextualize the *cough* poetic vocal snippets that Abelcain sprinkles over his characteristic sound.</p>
<p>I would say the first song immediately demonstrates the rythmical intricacy of this album. <em>The Garden</em> starts with some soft legato strings followed by meticulously sequenced mid-paced breaks that quickly mutate into some evil distorted breakcore. After a brief pause, it picks up again with a grumpy bassline accompanied by some cutup distorted percussion. The music then proceeds into a few minutes of breakcore iterations (woohoo!), ending with the sound of cellos, which provides for a pleasent transition into <em>Black Bone Orchid</em>.</p>
<p>This second song begins with a really nice (albeit sad?) intro, performed by the string section, to which is added some slow breaks. After a while, the mood of the music kinda changes as a playful violin enters the party. Then, as always, the song swiftly changes again into jungle/breakcore mode with the addition of a wobbly distorted bass and some seriously mashed-up breaks.</p>
<p>The third “song” is quite amusing actually. Uhm.. I think i would classify <em>Bitter Moon Blossom</em> as a mixture of cut-up metal meets breakcore until halfway through, then proceeds into some creepy ambience and finishes off with some <a href="http://en.wikipedia.org/wiki/Gabber" target="blank">gabber</a> mindfuck action.</p>
<p>This album wraps up with <em>Danse Macabre</em>. This song starts off with some subtle strings followed by a few bars of mid-paced breaks (which kinda remind me of <a href="http://bogdanraczynski.com/" target="blank">Bogdan Raczynski</a> and <a href="http://datachi.com/" target="blank">Datach&#8217;i</a>). Then it takes a turn towards a more rude drum arrangement, as the string instruments increase in tension. The &#8220;trademark&#8221; of this song are the hyperactive harpsichord/clavichord staccato ramblings, masterfully interweaved with some seriously mashed-up breakcore action.</p>
<p><a href="http://mp3.soundcult.com/abelcain-bitter_moon_blossom.mp3">Abelcain &#8211; Bitter Moon Blossom</a></p>
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