GHOLGOTH were founded in late 1998 by Zoltan Molnar (vocals), Zsolt Temesváry (bass) and guitarist Attila Torday (guitars). Endre Vigh (drums) and second guitarist Tibor Kovacs (both belonging to DIAFRAGAMA) joined the ritual and released the ’00 demo Visional Inertia. The current line-up has Laszlo Kliment replacing Attila the Hun (sorry, couldn’t help myself).
Swedish city Norrköping witnessed the birth of ANGST in 2002, from the ashes of a project called ONDSKE. As ANGST, no longer a one-man band, three releases have already seen the dark of night: Divine Wrath (demo, 2003), Lykania (EP, 2004) and the present debut full-length In hoc Signo Vinces (2005, Black Attakk).
Despite not being major stars in their native country (Poland), VALINOR (no, this is not a Power metal band inspired by Tolkien’s Middle Earth) are steadily rising from the shadows to take their place in the metal scene with a proposal that features elements of symphonic, fantasy and a nice amount of good ideas.
All hell breaks loose – especially since DAMNATION saw Resurrection of Azarath released, a compilation and celebration of the good old DAMNATION times. There are no new tracks here, only a selection of past hymns, as well as some rare and previously unreleased songs.
Once breathing under the moniker DE PROFUNDIS (I still wonder why it is that Symphonic BM and Goth bands seem to choose this name), AD INFERNA play a not very innovative variant of symphonic BM. Generally speaking, there are a number of obvious (DIMMU BORGIR, CRADLE OF FILTH, EMPEROR) and other not so obvious influences. The first time I heard the CD, I even thought there were some LIMBONIC ART touches to it, but fortunately or not, AD INFERNA never come close to what the Norwegian duo create.
Uhh Melechesh, even though i was going to review this, still someone had to tell me i HAD TO REVIEW THIS ONE, so ok… here it goes, Melechesh hails from Jerusalem but its actual headquarters are in the Netherlands, playing a self titled “Mesopotamian Metal”, well i don’t know about the self titled genres… a bit more and well see a bunch of bands saying ohhh no we play “Manhattan Death” or Amazoniancore hehehe, so for everyone that finds that silly, we’ll just call it a fusion of Black Metal with traditional Middle Eastern instruments, well lets have a listen, shall we.
Destruction Ritual is Krieg‘s acclaimed full-length… but I would say it is pushing it a bit too far calling this a “full-length” recording: 4 of the songs are included in The Church and I believe most of the remaining songs are re-recordings of old demo tracks. But okay, let us call it a new album for the moment and move on to what Imperial (guitars, vocals, effects) and Duane Timlin (session drummer) brought forth, with a little help from Judas Iscariot‘s Akhenaten in the engineering of the album.