Humm got this preview from Sorrows Path new album “The Rough Path Of Nihilism”, not too sure if its that rough of a path, well maybe im wrong hehehe, but anyways lets check out Sorrows Path album, they seem to originate from Greece, and play a sort of Power Doom Metal fusion, from my initial listen and my natural negative bias towards Power Metal, i have to say that this Rough Path Of Nihilism is quite a easy listen, so lets get into it, shall we!
Once breathing under the moniker DE PROFUNDIS (I still wonder why it is that Symphonic BM and Goth bands seem to choose this name), AD INFERNA play a not very innovative variant of symphonic BM. Generally speaking, there are a number of obvious (DIMMU BORGIR, CRADLE OF FILTH, EMPEROR) and other not so obvious influences. The first time I heard the CD, I even thought there were some LIMBONIC ART touches to it, but fortunately or not, AD INFERNA never come close to what the Norwegian duo create.
Well who are Straighthate, well they come from Greece, uhhh nice place for a vacation, but who cares who they are, we are here to talk about their latest album, that they gave me a copy, how nice of them heheh, called “Indigenous”, the music fits into a kinda “Death Grindcore Hardcore Metal” thing, just like they say on their website, again, how nice, lets check to see if the music is nice as well, shall we.
Meshuggah “Obzen”, ahhh it just flows out so sweetly, well here we go, first of all i would like to say, kind of like a disclaimer that Meshuggah might be my all time favorite band, so please take that into consideration with the review to this piece of shit… wait… maybe I’m getting ahead of myself, i get this very strange vibe, just like with Tool‘s 10000 Days, that the hype did not help at all, well lets start from the beginning, Meshuggah hail from Sweden and play “normally” a form of metal i like to describe as math metal (just like there is math rock) even though i like to call it calc metal, but if you want a more precise category i would say progressive death/thrash metal (wikipedia decided to call this avant-garde metal or experimental metal, but well we all know wikipedia is apparently filled with a bunch of crack heads that think that editing a piece of text on a website makes it true, fuck them), and their new album is out and its called Obzen, we have previously reviewed their albums Nothing and Catch 33, so lets get into it, shall we.
Uhh Melechesh, even though i was going to review this, still someone had to tell me i HAD TO REVIEW THIS ONE, so ok… here it goes, Melechesh hails from Jerusalem but its actual headquarters are in the Netherlands, playing a self titled “Mesopotamian Metal”, well i don’t know about the self titled genres… a bit more and well see a bunch of bands saying ohhh no we play “Manhattan Death” or Amazoniancore hehehe, so for everyone that finds that silly, we’ll just call it a fusion of Black Metal with traditional Middle Eastern instruments, well lets have a listen, shall we.
VAHLADIAN are not coming from Valhalla, although they certainly seem to be heading that way. September 1999 watched the planting of a seedling that blossomed in May 2002, by establishing a line-up consisting of Alberto Cases (bass), Alfonso del Corral (guitar), Carlos Ribes (guitar), JliÃ¡n Campos (drums), JosÃ© M. CebriÃ¡n (vocals) and Pablo Barrios (keyboard).
Oh dear… this is one those albums that’s hard as hell to review but oh so fun to listen to… if that doesn’t abode well for Car Bomb (nice name by the way… kinda appropriate) i don’t know what will, so Car Bomb is what i would call a Mathcore band, following the likes of The Dillinger Escape Plan and Psyopus… so lets have a look see.
DEATH DU JOUR was conjured up by TK (guitar, vocals), OM (guitar, backing vocals), PB (bass) and TF (drums) in early 2000 and have already a debut EP on the way (Gamashinoch). Fragments of Perdition follows on the path shown in the debut, but the approach is more technical, more chaotic, grinder and heavier.