This shit has some of the fastest riffing i have ever heard, although this seems to be based on some form of mathcore, Psyopus tend to walk the same road as the likes of The Dillinger Escape Plan, combining a turmoil of fast and hard drumming with blazing guitar work and guttural vocals, all in a very technical pack, being their first full length it’s quite the show.
Although i did made some comparisons with The Dillinger Escape Plan, these are 2 different beast, hell i should have said Into The Moat, since Psyopus don’t go for a more eclectic range, even thought it’s quite the chaotic mix, with rapid changes of pace and patterns, it tends to stay in genre with some small intermissions, don’t get me wrong, it’s not bad, it’s just boring, even though I’m quite adept to these kinds of music, they don’t seem to capitalize in anything, and doing a 5 minute song with 30 different riffs, with loads of drumming variations with double bass rolls, blast beats or whatever the drummer can think off, doesn’t mean you have a song, or more importantly a good song.
Psyopus does deliver the goods, that’s for sure, this is one heck of a album, trying to stretch the limits is always a good thing in my book, but as i said before it tends to drag on, there are some tracks that stand out, but they don’t stand out enough and after you listen to it cover to cover, your a bit sick of it all, the guitars start sounding all the same, i know it’s not the same riff but the fucking guitars are screeching anyway, a friend of mine said the album just wasn’t tight enough, and after a couple of good listening i understand what he said perfectly.
Psyopus – Death I…
